Prominent components of Louis XIV’s propaganda, the arts of spectacle also became sources of a potent resistance to the monarchy in late seventeenth-century France. With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, Georgia J. Cowart tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric ...
Hardcover: 336 pages
Publisher: University of Chicago Press (December 15, 2008)
Product Dimensions: 6 x 1 x 9 inches
Amazon Rank: 4368563
Format: PDF ePub djvu ebook
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I really enjoyed the way how the auteur structured her book. Normally one finds research about the ballet choreography, the livrets,... It is rare to find a book that tries to encompass it all and tries to find a logical and historical explanation fo...
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